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		<title>Tweet #6470207566</title>
		<link>http://askasoundguy.com/home/2009/12/08/tweet/</link>
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		<pubDate>Tue, 08 Dec 2009 18:07:00 +0000</pubDate>
		<dc:creator>Sanjay</dc:creator>
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		<description><![CDATA[Interesting anecdotes for musicians Overheard @ SF MusicTech &#8211; hypebot http://ow.ly/JXNO Tweet #6470207566 Share This:]]></description>
			<content:encoded><![CDATA[<p>Interesting anecdotes for musicians Overheard @ SF MusicTech &#8211; hypebot <a style="text-decoration: none; color: #088253; padding: 0px; margin: 0px;" rel="nofollow" href="http://ow.ly/JXNO" target="_blank">http://ow.ly/JXNO</a></p>
<p><a href="http://twitter.com/AskASoundGuy/status/6470207566" target="_blank">Tweet #6470207566</a></p>

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		<title>Harrison Releases Mixbus: DAW with and Analog Heart</title>
		<link>http://askasoundguy.com/home/2009/10/08/harrison-releases-mixbus-daw-with-and-analog-heart/</link>
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		<pubDate>Thu, 08 Oct 2009 16:11:41 +0000</pubDate>
		<dc:creator>Sanjay</dc:creator>
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		<guid isPermaLink="false">http://askasoundguy.com/home/?p=1655</guid>
		<description><![CDATA[Harrison &#8211; maker of fantastic analog and digital consoles &#8211; has released it&#8217;s own take on the DAW, which begs the question Who cares? But what makes this particular workstation unique is it&#8217;s design philosophy.  Mixbus was built as a customized version of Ardour, and re-introduces engineers to something simultaneously frustrating and inspiring: Limitations. Harrison [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_1656" class="wp-caption aligncenter" style="width: 317px"><a href="http://askasoundguy.com/home/wp-content/uploads/2009/10/mixbus_small.png"><img class="size-full wp-image-1656  " title="mixbus_small" src="http://askasoundguy.com/home/wp-content/uploads/2009/10/mixbus_small.png" alt="Harrison's Mixbus" width="307" height="238" /></a><p class="wp-caption-text">Harrison&#39;s Mixbus</p></div>
<p>Harrison &#8211; maker of fantastic analog and digital consoles &#8211; has released it&#8217;s own take on the DAW, which begs the question <em>Who cares?</em></p>
<p>But what makes this particular workstation unique is it&#8217;s design philosophy.  Mixbus was built as a customized version of <a href="http://ardour.org/" target="_blank">Ardour</a>, and re-introduces engineers to something simultaneously frustrating and inspiring: <strong>Limitations.</strong></p>
<p>Harrison gives us a DAW that mimics an analog console.  They call it a &#8220;knob per function&#8221; design, which basically means each knob does one thing and only one thing. There&#8217;s also only four stereo mix buses for grouping and effects, which seems like a pain, but it&#8217;s a blessing in disguise.  How many times have you been asked to put 20 different kinds of verb on a single track? Wouldn&#8217;t it be nice to be able to honestly say &#8220;I can&#8217;t do that?&#8221;</p>
<p>The other and perhaps most important benefit of having a limited DAW is the way limitations force you to get creative and thoughtful with your mixing. Choosing a reverb becomes an important decision when you&#8217;ve only got space for one.</p>
<p>Here&#8217;s a list of details from the Harrison Site:</p>
<blockquote>
<p align="left"><strong>Mixbus Features: </strong></p>
<ul>
<li><strong>Straightforward “knob per function” mixer layout based on Harrison&#8217;s renowned 32-series and MR-series music consoles.</strong></li>
<li><strong>Precision DSP algorithms for EQ, Filter, Compression, Analog Tape Saturation, and Summing based on Harrison&#8217;s world-renowned large format analog and digital mixing consoles.</strong></li>
<li><strong>Unlimited stereo or mono input channels (based on available CPU power) featuring High-pass Filter, EQ, Compression, and 4 Mix Bus sends on every channel.</strong></li>
<li><strong>4 Stereo Mix Buses (can be used for groups or auxes) featuring Tone controls, Compression, Sidechaining, and Analog Tape Saturation.</strong></li>
<li><strong>Stereo Master Bus that features Tone controls, Analog Tape Saturation, K-meter, and Limiting to help you make polished mixes.</strong></li>
<li><strong>Plugin delay compensation to support effects such as parallel compression.</strong></li>
<li><strong>Comprehensive &#8220;at-a-glance&#8221; metering with peak, peak hold, and compressor gain reduction visible on every track and bus.</strong></li>
<li><strong>Extensive DAW features via the Ardour Digital Audio Workstation.</strong></li>
<li><strong>Supports AudioUnit plugins and any CoreAudio interface.<br />
</strong></li>
</ul>
</blockquote>
<p>This Daw looks awesome, and for $80 &#8211; it&#8217;s worth a shot if you&#8217;re trying to make the jump from analog console to DAW.</p>

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